This takes me right back to 2003. Mainly because I've barely, if ever, listened to it since then. Like Aberfeldy, British Sea Power are the kind of band I would never have come across were it not for 6 Music. There were a clutch of acts that, having been adopted by the station as emblematic of what they were "about", came to have a symbiotic relationship with the station.
At least that's how it felt to me. The Decline of British Sea Power was one of the albums I spotted in Lucy's collection shortly after we started going out. She's a Radio 4 girl and doesn't listen to digital radio to this day, so it wasn't 6 Music that led her to BSP. I popped downstairs yesterday evening to ask how she had come across them. She was watching The Apprentice: You're Fired, so I got short shrift. Basically, she can't remember. In fact, when pressed (to the point of distraction), she admitted she couldn't really remember whether she liked them or not. I get the feeling she hasn't listened to the album much since 2003 either.
But my hunch is that she might like the album more than I do. After all, she went to the Reading Festival that year. Yeah, rock chick. And BSP are much more rock than Aberfeldy's tuneful adult pop.
When I listened on my computer, I wasn't much taken with the music: it came on like that the generic 6 Music indie rock which I got so practiced at tuning out mentally that in the end I tuned out physically because there wasn't any point in pretending to listen. Then I listened downstairs on my hi-fi and it came to life. Something distinctive about the grain of their sound that I really liked, even if the songs were a bit hit and miss. Perhaps if I'd seen them live, I'd have felt the same way I did about Coin-Op around the same time.
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